Photo Paul Robinson |
Another
trip has gone by and another climbing area praises a tick on the list. The
South-East of the United States was one of the few outstanding classic zone
where I still desired to go. I have been waiting a lot for a good occasion to
go to Tennesee, but the chance took a while to come.
Last
October, Paul told me he was going there for the full month of November; The
spread out area seemed to be amazing for shooting a section of the new film
that Alex and him are producing, “Uncharted Lines”. I knew It would have been one of those rare
occasion to go, because, for a reason or
another, this place seems to be out of the radar for most of the European
climbers. Moreover, I would have spent a trip with Paul and Jimmy discovering
new lines, developing, cleaning and establishing. I was sure we were going to
have a great time. The idea excited me and I got the first cheap flight to head
to Chattanooga right after my weekly trip to Sheffield.
The trip
basically ran over three different weeks.
Our first week
was terrible. Delta Airlines lost my baggage and I hadn’t my goods for some
days. The Temperatures were insanely warm, the humidity was high most of the time and the woods were
still thick and green. The summer was giving its last signs. Climbing was almost impossible, excepted for
a couple of days where we attempted to go out, but the rocks were very wet
because of the condensation and the high moisture. The positive side of the deal was that I had
time to recover my jet-leg and to go
shopping to get what Delta didn’t give me back. I got some amazing underwear,
socks, pants and all the basic stuff I needed.
We also checked a couple of wet rocks in Cumberland area, Little Rock
City, Rocktown and some other hidden gems in Chattanooga. The rock seemed
amazing even when it was wet and I
couldn’t image how good it would have been once the sky would have cleared up.
I was anyway excited.
The second
week the weather improved a lot. Sky started to clear up, some decent days came
and we saw the first dry rock. Unfortunately to me, skin and shape didn’t seem positive
as I wanted. The first never stopped sweating, while my body felt somehow faint.
Before the
third week started, I took a couple of days off. The rest worked well and I got
some good skin while the first touch of winter was coming. Perfect timing. The last seven days have been
amazing: a lot of climbing, first ascents, cleaning, but also classics,
moderates and really amazing sandstone climbing. I have been checking many
areas from the southern to the northern Tennessee, with the addition of the
classic zone of Rocktown, in Georgia. The South-East can be considered like “the Font of America”,
like some climbers like to name it. The definition is generally appropriated,
but I feel to note some other good points.
What has
been special to me is obviously the rock quality and, way more, some of the hold
shapes. Most of the times the climbing depends on the quality of these two
features. So, if they are cool, the climbing is probably gorgeous too. It is incredible how the
climbing and the sandstone change from sector to sector and how many nice styles
of bouldering is possible to have. The texture many times is similar to Font,
while in other parts is more comparable to Albarracin, or to Peak District or
to Ticino’s granite. Secondly, according to the rock, even the holds package is
really various. The boulders are hence really different, but the variety keeps
most of the times an awesome quality. And, last thing, the potential is big too.
During the
trip I stood several times in front of new blocs; some of them were still to clean, waiting for some chalk;
While other ones were ready to set a first ascent. I obviously love the process
of the developing, since it is probably
one of the activities that makes me more excited about climbing. It is
something more special and different than the simple execution of a boulder; It
is creative, it includes art, vision, inspiration, doubts, vain attempts,
efforts, work and so on. It is something that when you complete it, lets an
indelible sign inside. I hardly forget good FA experiences. I anyway dislike to
go out and climb something just to claim the first ascent or to add a new one
randomly. When I look for a new line to clean, it has to stimulate my senses
and to be like a white sheet where I can draw my vision, following the “rules”
of the rock. It has to be a special bloc to me, otherwise I let it there. Once
I see something I know is going to be magical, everything turns on and I usually
don’t care about how many hours of
effort I should invest in “work”. Everything is just exciting and motivating.
Once the fresh chalk shines for the first time, I just feel alive and
satisfied. That’s maybe one of my favorite feeling in bouldering and reaching
this emotions in the South East has been sweet.
In two
boulders I had been able to transfer my vision and my abstract imagination on
the real rock. It first happened for “Ebano” and then, right after, for “Hell
was made in Heaven”. By the way, the second one is just next to other two
amazing lines freed by Paul and Jimmy.
Beside the
first ascents I have made, I tried also some classics. I especially climbed on
some good old problems of Jimmy Webb, which were still unrepeated at the date.
Before showing some shots of the trip, I would like to put clear that many
blocs are in secret areas or on private lands and I take occasion to remind to
everyone to put at first the respect of the environment and of the rock,
everywhere we go. Enjoy.
Jimmy Webb on "Point of View" V11 (FA). Photo Paul Robinson |
Jimmy Webb on "Southern Drawl" V14 (FA). Photo Paul Robinson |
"Ebano" V11 (FA). Photo Beau Kahler |
"Hell was made in heaven" V10 (FA). Photo Beau Kahler |
"Little Foot" V13 (SA). Photo Alex Kahn |
Paul Robinson on "King of contortion" V14 (SA). Photo Beau Kahler |
Paul Robinson on "Knocking on Heavens door" V8 (FA). Photo Uncharted Lines |
Photo Paul Robinson |
Photo Paul Robinson |